posted by [identity profile] x-h00ine.livejournal.com at 05:20am on 30/01/2004
Very nicely said, Rev.

I, too, was pretty mightily disappointed with Soul Purpose (although I think it was a good script with bad direction), so this week was quite a pleasant surprise. The Angel/Spike scene was moving and well acted and the more I think on the scene in which Andrew and the Slayers let Angel know that they are not on the same side, the more the implications of that resonate with me. Angel is forced to realize that Buffy trusts this lackey more than she trusts him. The reason for that, it would seem, is that Andrew of all people, has seen through AI's sham of doing good through evil means. It's simultaneously a testament to Andrew's growth---he sees through the glamour of evil---and just how transparent the situation is.

I have hope at last that they are going to thoroughly sound out the tangled situation in which Angel et al. find themselves.

Christine
 

Re:

posted by [identity profile] jonesiexxx.livejournal.com at 07:04pm on 30/01/2004
Just jumping on the huh? bandwagon re Soul Purpose. I saw it very late (this past Monday night), so had heard everyone and her sister extoll it. It had its moments, but the wallow in nightmares was just tedious. And the direction often showy in the clunky way. (Though didn't rise to the risable level of Stephen deknight's directorial debut last season).

I don't mind showy direction when it's done for a purpose - the expressionism of a Von Sternberg or expressionism cum psychoanalytic distancing of a Hitchcock.

I lurved this weeks ep, and at the moment have zippidydoodah to add to a fine analysis. Except, Son, I too hope they confront their moral stance head on too. Angel the Series - which to my mind has always suffered from a paucity of big-v Vision on MEs part - has been hit with a 200 joule resucitating jolt by Buffy cosmology paddles. Now do something with it.
 
posted by [identity profile] revdorothyl.livejournal.com at 11:23pm on 31/01/2004
"Angel the Series . . . has been hit with a 200 joule resuscitating jolt by Buffy cosmology paddles. Now do something with it."

From your mouth to . . . well, YOUR ear, goddess! So mote it be.
 
"Angel is forced to realize that Buffy trusts this lackey more than she trusts him. The reason for that, it would seem, is that Andrew of all people, has seen through AI's sham of doing good through evil means. It's simultaneously a testament to Andrew's growth---he sees through the glamour of evil---and just how transparent the situation is."

Good point. I hadn't really thought enough about that, until your comment. Considering Andrew's ample history of self-delusion ("re-positioning" himself in the "good-vs.-evil" market, putting lots of "spin control" on his version of events, or even re-writing the entire narrative from moment to moment in order to bolster his delicate ego or distance himself from responsibility), it really is a remarkable testimony to the ease with which ANYBODY outside the Team Angel inner circle can see what's really going on.

Andrew's still spinning his personal narratives (e.g.: it was mostly he and Spike who saved the world, though Buffy helped a little), and drawing upon the characters and dialogue from every science fiction/fantasy TV show and movie that he's ever seen in order to describe his reality (e.g.: "Check the viewscreen, Uhura!" or all the LotR references), but he's STILL more clued-in to the truth than Angel is, for all Angel's vast experience and "street cred" as a bonafide champion of good. Kind of mind-blowing. And GOOD for Andrew! He HAS come a long way, and it has nothing to do with his affectation of the tweed jacket and pipe or whatever fighting skills he's gained. If he's now "80% more manly" (or whatever it was), it's because he's able to distinguish good from evil and face up to his responsibility to work for good.

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