posted by
revdorothyl at 10:02pm on 08/06/2004 under movie reviews
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I've been off-line for a week, while I'm vacationing (a.k.a. "sponging off my friends in other states who have guest rooms and are still foolish or fond enough to invite me every year"), but the time has not been wasted.
To make up for having seen almost no movies this Spring semester, I've seen three first-run films in the past few days [no spoilers]:
"The Day After Tomorrow" -- excellent and non-cliched disaster film, which was so good I didn't mind seeing it again last night with a legally blind friend who'd been wanting to see it and didn't think anyone else would be willing to go with her. Even second time around, it was STILL interesting and entertaining, as well as edge-of-the-seat suspenseful. Go, see, and enjoy 'the end of the world as we know it' (...and I feel fine).
"Touching the Void" -- I hadn't heard much about this one, and probably wouldn't have gone to see it if my friends hadn't been eager to see it, but this docu-drama was superbly done and quite thought-provoking. I groaned sympathetically with every agonizing bump along the road from the depths of a crevasse in the Andes to the climbers' base camp, but it wasn't JUST agony and angst. The "Void" turned out to have MANY layers of meaning in this film, including the devout atheism of the injured climber, Joe. Really interesting, though not exactly a PLEASANT or carefree movie to sit through, if you have a shred of empathy or imagination.
"Harry Potter and the Prisoner of Azkaban" -- saw it opening night, sitting about three rows back from the movie screen, because of course there weren't any seats together anywhere further back by the time we got into the theater, and I loved it. I still haven't read any of the Harry Potter books, but I've had no trouble following and enjoying any of the movies, and this one was my favorite to date (perhaps because as Harry and his friends get closer to adulthood, I find it easier to identify with them and their problems, or maybe I just like the darker moods and increasing complexity of the plots).
Btw, I heartily concur with the recommendation of many others:
cleolinda's parody is respectful and hilarious, a true delight for anyone who's already seen the movie and is no longer worried about spoilers.
Meanwhile, I've been observing my yearly vacation rituals: checking out the merchandise in out-of-state T.J. Maxx stores (so much more intriguing than my local T.J.'s, and with the advantage of less-outrageous sales tax), eating in restaurants that you don't drive through, and baking and eating rhubarb desserts as if they were about to be outlawed (to my taste, rhubarb pie is so good it almost ought to be illegal, and rhubarb itself is so hard-to-come-by and outrageously over-priced in Nashville that I almost never indulge in it at home).
Brain no longer working, so I'll sign off. After more than a week of vacation lazing around, I'm ALMOST able to get a good night's sleep again. It hasn't been easy to do (after subsisting on 3 hours a night for a couple of weeks, when I actually NEED more like 8 or 9 hours a night to stay healthy, I'm having to re-learn basic skills like going to bed at a reasonable hour and not obsessing over every wrong and frustration in the world).
Time to be unconscious, now.
To make up for having seen almost no movies this Spring semester, I've seen three first-run films in the past few days [no spoilers]:
"The Day After Tomorrow" -- excellent and non-cliched disaster film, which was so good I didn't mind seeing it again last night with a legally blind friend who'd been wanting to see it and didn't think anyone else would be willing to go with her. Even second time around, it was STILL interesting and entertaining, as well as edge-of-the-seat suspenseful. Go, see, and enjoy 'the end of the world as we know it' (...and I feel fine).
"Touching the Void" -- I hadn't heard much about this one, and probably wouldn't have gone to see it if my friends hadn't been eager to see it, but this docu-drama was superbly done and quite thought-provoking. I groaned sympathetically with every agonizing bump along the road from the depths of a crevasse in the Andes to the climbers' base camp, but it wasn't JUST agony and angst. The "Void" turned out to have MANY layers of meaning in this film, including the devout atheism of the injured climber, Joe. Really interesting, though not exactly a PLEASANT or carefree movie to sit through, if you have a shred of empathy or imagination.
"Harry Potter and the Prisoner of Azkaban" -- saw it opening night, sitting about three rows back from the movie screen, because of course there weren't any seats together anywhere further back by the time we got into the theater, and I loved it. I still haven't read any of the Harry Potter books, but I've had no trouble following and enjoying any of the movies, and this one was my favorite to date (perhaps because as Harry and his friends get closer to adulthood, I find it easier to identify with them and their problems, or maybe I just like the darker moods and increasing complexity of the plots).
Btw, I heartily concur with the recommendation of many others:
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Meanwhile, I've been observing my yearly vacation rituals: checking out the merchandise in out-of-state T.J. Maxx stores (so much more intriguing than my local T.J.'s, and with the advantage of less-outrageous sales tax), eating in restaurants that you don't drive through, and baking and eating rhubarb desserts as if they were about to be outlawed (to my taste, rhubarb pie is so good it almost ought to be illegal, and rhubarb itself is so hard-to-come-by and outrageously over-priced in Nashville that I almost never indulge in it at home).
Brain no longer working, so I'll sign off. After more than a week of vacation lazing around, I'm ALMOST able to get a good night's sleep again. It hasn't been easy to do (after subsisting on 3 hours a night for a couple of weeks, when I actually NEED more like 8 or 9 hours a night to stay healthy, I'm having to re-learn basic skills like going to bed at a reasonable hour and not obsessing over every wrong and frustration in the world).
Time to be unconscious, now.
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Are you looking forward to the new film Miyazaki's working on, from the Diana Wynne Jones book?
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The same is true of LaPuta ( I think it is called Castle in the Sky here in the States). My husband was able to translate a lot of the story for me at the time but I still want to see it dubbed or sub-titled.
(I recently saw Atlantis and was disgusted by the rather shameless rip off of a lot of LaPuta scenes.)
There is so much about the man's work that I love. I could watch his films over and over. They way he works with sound and light and silence is amazing. There is another film, not directed by him but made by Studio Ghibli, that is very good. I think the English title is "If you listen, you will hear." I don't know if it has been dubbed or subtitled yet but it is a fabulous look at modern Japan, full of all the incredible attention to detail and characterization typical of Miyazaki's films.
I had no idea Miyazaki was making a film from a DWJ book! It's funny, but I remember reading Fire and Hemlock and thinking "Miyazaki could make this into a fantastic film". Which one of her books is he using? We will have to tell x-h00ine, as DWJ is one of her favorite authors in the world. Of course, she says she hates anime but maybe you can convince her to give Miyazaki a chance. :)
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And I'm interested to hear of all the Miyazaki films you've seen RevD. I've got Spirited Away, Castle in the Sky and Kiki's Delivery Service already, and I just ordered this 17 dvd set.
Re: Wow!
Aside from my unfortunate Singapore mail-order purchases, I have some of Miyazaki's earliest works dubbed in English ("Panda! Go Panda!", a couple of "Sherlock Hound" tales, as well as "Castle of Cagliostro" and the butchered and much-edited English dub of "Nausicaa" from the 1980's sold under the title "Warriors of the Wind"), but I've not gotten into Isao Takahata's works ("Grave of the Fireflies", etc.), simply because his work seems so much darker in subject matter, however beautifully and truthfully rendered.
I go along with Helen McCarthy's argument (in her book HAYAO MIYAZAKI: MASTER OF JAPANESE ANIMATION) that in "Cagliostro", even though Miyazaki is working within someone else's universe and with someone else's characters, many of the themes and motifs characteristic of his later films can already be seen -- and it's just fun, anyway!
I've seen on borrowed VHS tapes the Japanese versions (without subtitles of any kind to clue me in!) of "Nausicaa", "Laputa: the Castle in the Sky", "Porco Rosso", and "Princess Mononoke", and I currently own on VHS and/or DVD the English-dubbed versions of "My Neighbor Totoro," "Kiki's Delivery Service," "Castle in the Sky", "Princess Mononoke", and "Spirited Away", as well as the widescreen Japanese version (with English subtitles) of "Kiki" for good measure.
I've already ordered my copy of the new DVD of "Nausicaa" due to be released on Aug. 31, and I'm planning to do the same for "Porco Rosso". I may even spring for the new two-disc version of "Totoro" being released on Aug. 31, as well, unless my frugal Scots-Irish blood balks at such a purchase when I don't have the excuse of current research/writing on anime to justify it!
However, with 17 DVD's, you'll still have me beat!
Re: Wow!
And I now have an unneeded subtitled copy of Kiki, Spirited Away and Castle in the Sky (because I have the Disney versions already). So if you know anyone with a multi region dvd player who wants them...
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I assume by now you've seen
I would love to convince